I photograph houses before they are emptied of their contents. The places still bear the impression of the disappeared.
The reconstructed anatomies are subject to the lines and volumes of the sets. They have to force the photographic spaces to find a place in images.
Mythological tales often interfere with reality. I try to translate the connections between them.
I reconstitute the faces in the absence of the model. The representation slips then, between profile and those of Fayoum.